Lydia Panas began collecting blocks of chocolate in 2000. She would find time to focus on her “Chocolate, Hair + Lint” still-life series back then, when she wasn’t busy with family life and raising three young children.
Photographing the combination of lint, chocolate, and her own hair, the work was, “Symbolic of my daily life,” according to the artist.
“The hair was a metaphor for aging, the lint from the children’s clothing was about family, and the chocolate referenced my often-forgotten desires. As markers of time, they recalled what fell away and what was gained.”
“Assembled Curiosities” at The Baum School of Art featured mixed media assemblages of Domenick Naccarato and photography by Lindsay Woodruff in the David E. Rodale Gallery, as well as their merged collection of random objects of inspiration in the Rodale Family Gallery.
The two Lehigh Valley artists, who were previously unacquainted, are avid collectors. They find a creative spark in mundane objects and fleeting moments of everyday life.
“The Addams Family,” with the ironically macabre characters, created by Charles Addams for his single-panel gag cartoons, will soon lurch about the stage at Northampton Area High School.
Gianna Beleno is the director and choreographer of the NAHS production. Assisting her are music director Phil Diaz, pit director Angela Mitchell and set designer Damon Gelb. Tony Beleno is the set builder and adviser. Dan Crawford handles lighting and sound.
The venerable Roxy Theatre hosted a March 3 afternoon charity premiere of “Getting Grace,” a comedy/drama about a teenage girl losing her battle with cancer.
This was part of a full-day event where the film was shown consecutively at three Lehigh Valley venues. Starting in the morning at Frank Banko Alehouse Cinemas at ArtsQuest, the day’s celebration finished up that evening at Lehigh Valley Charter High School for the Arts’ theater.
In the exhibition, “Still Rendering,” through Jan. 15, Martin Art Gallery, Baker Center for the Arts, Muhlenberg College, artists Anthony Panzera and Chris Coleman apply science and technology to aesthetics.
Leonardo da Vinci’s writings and anatomical renderings are the inspiration for Panzera’s “The Leonardo Series,” including “AP 149” (sanguine pencil on paper with ink on Mylar overlay; 24 in. x 24 in.), above.
Twenty-five rarely seen works were guest-curated by New Jersey collector Gary T. Erbe for “John R. Grabach and Henry M. Gasser: New Jersey Masters,” an exhibition in the David E. Rodale and Rodale Family Galleries at the Baum School of Art, Allentown.
Grabach, born in 1880, taught at the Newark School of Fine and Industrial Art. Gasser, one of his top students, was born in 1909. The talented New Jersey-based artists became colleagues when Gasser was hired as the Newark school’s director.
Progress in medical care innovation was celebrated by a virtual ribbon-cutting ceremony at Lehigh Valley Health Network (LVHN) at One City Center for the new Air Products Center for Connected Care and Innovation.
Air Products Chairman, President and CEO Seifi Ghasemi was thanked by LVHN President and CEO Dr. Brian A. Nester for the company’s donation of $5 million through the Air Products Foundation.
The Lehigh Valley Arts Council made “ArtsCount with $39,711 in Pennsylvania Partners in the Arts (PPA) grants awarded to 26 area artists, musicians and arts nonprofits.
ArtsCOUNT 2017, run by the Lehigh Valley Arts Council, was held at the National Museum of Industrial History, Bethlehem.
“Digest,” through Oct, 17, the Ronald K. De Long Gallery, Penn State Lehigh Valley, Center Valley, is the free-form creation of Allentown artists Daisuke Shintani and Atsuko Tajima.
“This is our painting in the air. Our floating forms are created in some way similar to improvising music.” according to Shintani’s and Tajima’s artists’ statement.
“We divided the room diagonally with a lighter side and a darker side,” Shintani said at the Sept. 7 opening reception.
Visiting University of Hong Kong professor Ian Holliday brought a selection of 10 contemporary paintings by Myanmar artists for the exhibit, “Altered State: Painting Myanmar in a Time of Transition” in the Galleria, Baker Center for the Arts, Muhlenberg College.
While visiting and studying Myanmar as a political science professor, Holliday began collecting contemporary paintings from artists he met.
In a talk he gave at Muhlenberg, Holliday described how Burma, a former British colony, later renamed Myanmar, was ruled by repressive military-backed regimes from 1962-2011.